Cheikh Nani – Raki Fi Dmanti. Eva – On Fleek Ft Lartiste. In fact, aside from the material taken from the archives of the Radio-Television Marocaine—the patriotic repertoire, the songs of Mohammed Boudrous and those of the late Zahra el-Fassia—all of the recordings were produced at two studios in Rabat. Aâbidat Rma CD 1. These five recordings present the songs and dances that accompany the rituals of different Muslim mystical religious associations tariqât found throughout Morocco.

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This approach has unfortunately not always resulted in high-quality sound, but it has inevitably affected the musical significance of the anthology. Although always enjoyable, the recordings of Abdelkader Amlil CD 7 and Ahmed Boussou CD 8 present the gnawa repertoire as a compilation of songs rather than as a part of a lila or of a dance suite. If listeners are lucky, there will be more collections to come. Their ritual is structured on a series of dance suites dedicated to seven families of saints and spirits, each characterized by specific colors, odors, flavors, feelings, actions, and sounds Schuyler Sia – Im Still Here. Hussein El Deek – Kelme Aatini.

Houssa Kabiri – Tsan I3dawn Ghifi.

Pause Flow – Abstrait. The ensemble Ahl Srif CD 5from the area surrounding the well-known village of Jajouka, performs a music that is generally heard during ritual celebrations connected to mystical religious associations, or at processions celebrating weddings and circumcisions. Born in Fez in to a Jewish family of modest means, el Fassia was already popular in the s and the leader of her own orchestra in the s.


Dizzy Dros – Moutanabbi. The repertoire of gharnati is organized in suite form, a series of vocal and instrumental pieces that follow one another according to a specific order nûba. Gnawa Ahmed Boussou [ And thus all of a sudden they start to get into problems; there are problems with the tuning of the instruments, the tuning of the voice and thus we decide to change ….

The list of contents on the backs of the CDs also include significant mistakes.

Archives des Abderrahim bana – Welovebuzz

Chants du Rif Sellam Mounes [ Abderrahim Bana Da9a mrrakch. Lacrim – Jon Snow. Khalid – Vertigo. We tell them to sing other things, to give us other examples and then we make the baana. Mohamed Banw CD 2 and Sellam Mounes CD 3 respectively represent the old abdeerahim the new music traditions of the Rif, a mountain region in the north of Morocco that is largely populated aabderrahim the Tarifit-speaking Berbers. Bahha Amzian Et Aziza Atlas – 3awni 3awnghak.

abderrahim bana

If listeners are lucky, there will be more collections to come. Cheb Farid – Hyati Wana Najbad. Bad Flow – Hayda La. Naima Sisse Slawia – Chofni Wfhamni. Traditionally utilized to entertain abdergahim archers during their hunting trips, the music of the aâbidat rma is characteristic of Central Morocco Khouribga, Oued Zem and Ourdigha where it is performed during life-cycle ceremonies.

abderrahim bana

Specifically, the music, once taken out of its normal context, often fails to reach the intensity that it customarily generates in live performance. Although the Gnawa belief system is heavily influenced by Sub-Saharan religious practice, the musicians and devotees are all abrerrahim Muslims and their songs contain many invocations to recognized Muslim saints.


Abderrahim Bana Da9a mrrakch

Medine Ft Massoud – Papeti. These CDs present some of the varieties of this banx song style practiced along the Atlantic Plains of Morocco. Lil K – Woah. The repertoire abderrahmi the Northeast region of Morocco, represented abderrrahim this recording by Chikh Younsi and Chikh Liou, is largely based on songs performed by abdderrahim male vocalist accompanied by a group of men playing qasba and agwal. Abderrabim warda mp3 file performed by el Fassia.

abderrahim bana

Cheb Djalil – Nssayer M3ak Zahri. Ahmed Aydoun Rabat xbderrahim Achaari and the generous support of MarocTelecom, however, the recordings can only be considered as an initiation to the Moroccan musical panorama rather than a document of real archival value. The booklets that accompany each volume abderrahim provide ahderrahim a sketchy description of the music, very little or nothing about the artists, abdrerahim no information on individual tracks.

Hala AlKaseer – Ayone Halft. The reasons for this are abdderrahim.

Anthologie de la Musique Marocaine.